Part biography, part art history — a thoroughly engaging look at one man’s life and his phenomenal influence on the world of contemporary art.

Bill Reid was at the forefront of the modern-day renaissance of Northwest Coast Native art. However, his art and his life were not without controversy. Like the raven — the trickster and principal figure in countless Haida myths — Bill Reid reinvented himself several times over.

Born to a partly Haida mother and a father of German and Scottish descent. His public persona as a Haida Indian seems to have been as much a product of journalists, art patrons, museum curators, and others in the non-Native establishment as of Bill Reid himself. It is clear that Reid’s art arose from the tension between his Native and white artistic perceptions.

Award-winning biographer and cultural historian Maria Tippett became intrigued by this enigmatic figure. Although he referred to his own early works as “artefakes,” he continues to inspire new generations of Northwest Coast artists. This includes artists like Robert Davidson and Jim Hart.

However, she questions whether Reid’s status as the architect of contemporary Native art is fair and accurate. This is because artists such as Mungo Martin had been keeping the tradition alive since the beginning of the twentieth century. Most controversially, she explores how Reid brought a sensibility formed through his white heritage to the reinvention of Native art.

By asking difficult questions about Reid’s life and work, and by analyzing the works of other Native artists since the beginning of the twentieth century, Tippet gives the reader the defining portrait of Bill Reid. He is one of Canada’s most enigmatic and beloved artists.

Bill Reid’s work can be found in private and public art galleries and museums all over the world. The Museum of Anthropology at the University of British Columbia houses the famous The Raven and The First Men. It also holds many smaller masterworks.

The Spirit of Haida Gwaii, a monumental bronze sculpture over four meters high, is on display at the Canadian Embassy in Washington, D.C. The British Museum, the Musée de l’Homme in Paris, and the Canadian Museum of Civilization in Ottawa also hold impressive examples of the work of this extraordinary and imaginative artist.